we the women/whose praises go unsung/whose voices go unheard
she and the reading group had a big argument, no, it wasn't no argument, it was a debate, the other day, about whether a poem was good because they related to it, or whether it was good in and of itself
Bernardette said it was up to the literature specialists to decide what was good, they only knew whether they liked something or not
Winsome agreed, she wasn't no expert
Celestine said poetry was made deliberately difficult so that only a few clever people could understand it as a way to keep everyone else in the dark
Menção honrosíssima para The testaments (deusa Margaret Atwood), Calibã e a bruxa (Silvia Frederici), Los peligros de fumar en la cama (Mariana Enriquez), Dear life (Alice Munro) e Sabrina (Nick Drnaso).
[todos de 2019 aqui]